WorldEnd: What are you doing at the end of the world? Are you busy? Will you save us?
終末なにしてますか? 忙しいですか? 救ってもらっていいですか?
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Five hundred years have passed since the humans went extinct at the hands of the fearsome and mysterious ‘Beasts’. The surviving races now make their homes up on floating islands in the sky, out of reach of all but the most mobile of Beasts. Only a small group of young girls, the Leprechauns, can wield the ancient weapons needed to fend off invasions from these creatures. Into the girls’ unstable and fleeting lives, where a call to certain death could come at any moment, enters an unlikely character: a young man who lost everything in his final battle five hundred years ago, the last living human awakened from a long, icy slumber. Unable to fight any longer, Willem becomes the father that the girls never had, caring for and nurturing them even as he struggles to come to terms with his new life, in which he feels the pain of helplessly waiting for his loved ones to return home from battle that his ‘Daughter’ once felt for him so long ago. Together, Willem and the girls gradually come to understand what family means and what is truly worth protecting.
Episodes
12
How watching this pays the artists
Every time you watch WorldEnd: What are you doing at the end of the world? Are you busy? Will you save us? on a legitimate streaming service, a portion of that revenue flows back to Satelight, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.
Where the money actually goes
Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.
Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.
Torinagi surfaces every legitimate option so you can watch on the service you already pay for, or on a free ad-supported tier if one carries this show. We never host video.
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WorldEnd: What are you doing at the end of the world? Are you busy? Will you save us? across the torinagi family