Tokyo Revengers Season 2
Finished · 13 epPony Canyon · 2023 · Japan

Tokyo Revengers Season 2

東京リベンジャーズ 聖夜決戦編

7.5/ 10 · 135,544
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Despite his best time-leaping efforts, Takemichi Hanagaki continuously fails to prevent the present-day death of Hinata Tachibana, his adolescent love. The adult Takemichi grapples with grief and the ramifications of the Tokyo Manji gang's criminal empire—an unintended product of his timeline meddling. Though the gang once operated under the idealistic Manjirou "Mikey" Sano, it has now been taken over by the malicious Tetta Kisaki and, as a result, has abandoned its original optimistic intent. Despite feeling hopeless, Takemichi travels to the past once again to investigate Black Dragon, a rival motorcycle gang whose actions ultimately lead to Hinata's demise. There, he meets the young Hakkai Shiba, a fellow gang member whose older brother, Taiju, tyrannically rules Black Dragon. Takemichi, with Chifuyu on his side, works to unravel the fates of Black Dragon's members, fighting to create a happy future for his loved ones. (Source: MAL Rewrite, edited)

Episodes

13
1. Episode 1
24m · Hulu
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2. Episode 2
24m · Hulu
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3. Episode 3
24m · Hulu
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4. Episode 4
24m · Hulu
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5. Episode 5
24m · Hulu
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6. Episode 6
24m · Hulu
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7. Episode 7
24m · Hulu
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8. Episode 8
24m · Hulu
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9. Episode 9
24m · Hulu
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10. Episode 10
24m · Hulu
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11. Episode 11
24m · Hulu
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12. Episode 12
24m · Hulu
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13. Episode 13
24m · Hulu
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How watching this pays the artists

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Where the money actually goes

Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.

Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.

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