The World God Only Knows
Finished · 12 epTV Tokyo · 2010 · Japan

The World God Only Knows

神のみぞ知るセカイ

7.4/ 10 · 130,307
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Keima is a dating sim champion. Cute girls are rendered powerless by his irresistible game playing techniques. Too bad things aren't that way in the real world. That is, until his tempting game playing causes a real live—and very bubbly-cute—demon hunter named Elsie to materialize! Now Elsie wants Keima to help her free hot girls from sneaky demons who secretly possess them. (Source: Sentai Filmworks)

Also in this franchise

Episodes

13
1. The World God Only Knows Preview
23m · Crunchyroll
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1. Episode 1 - Love Makes the World Go Round
23m · Crunchyroll
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2. Episode 2 - One Hell of a Little Sister / Baby, You're a Rich Girl
23m · Crunchyroll
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3. Episode 3 - Drive My Car / I Don't Want To Spoil The Party
23m · Crunchyroll
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4. Episode 4 - On a Crusade
23m · Crunchyroll
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5. Episode 5 - IDOL BOMB!!
23m · Crunchyroll
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6. Episode 6 - I'm Ordinary?
23m · Crunchyroll
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7. Episode 7 - Shining Star
23m · Crunchyroll
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8. Episode 8 - Coupling with with with with
23m · Crunchyroll
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9. Episode 9 - Inside and Outside the Big Wall
23m · Crunchyroll
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10. Episode 10 - Inside of Me...
23m · Crunchyroll
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11. Episode 11 - The Last Day
23m · Crunchyroll
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12. Episode 12 - More Than a God, Less Than a Human
23m · Crunchyroll
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How watching this pays the artists

Every time you watch The World God Only Knows on a legitimate streaming service, a portion of that revenue flows back to Manglobe, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.

Where the money actually goes

Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.

Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.

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