Tales of the Street Corner
ある街角の物語
The scene is set with a poster on a street corner, a girl who cherishes her teddy bear, a street lamp and a playful moth that is drawn to the lamp. These creatures and inanimate objects, each with their own dramas, get involved in a war and the story ends in a tragic climax. This is a private animated piece that expresses feelings rather than telling a story. It can be said that Tezuka Osamu, frustrated with working for big companies, made an attempt here to depict what he really wanted in his animation. This work illustrates that even a poster on the wall can have a vivid drama behind it, and brings the magic of animation alive for us.
Episodes
1
How watching this pays the artists
Every time you watch Tales of the Street Corner on a legitimate streaming service, a portion of that revenue flows back to Mushi Production, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.
Where the money actually goes
Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.
Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.
Torinagi surfaces every legitimate option so you can watch on the service you already pay for, or on a free ad-supported tier if one carries this show. We never host video.
Also on
Tales of the Street Corner across the torinagi family