IRODUKU: The World in Colors
Finished · 13 epP.A.WORKS · 2018 · Japan

IRODUKU: The World in Colors

色づく世界の明日から

7.3/ 10 · 96,055

Available on

Prime Video· Sub · HDYouTube· Sub · HD

Hitomi Tsukishiro may be the child of a family of witches, but after losing her ability to see color, she also lost her sense of magic. Nothing has been able to help her regain that gift — nothing until Hitomi’s grandmother, that is, sends Hitomi back in time to the year 2018! There Hitomi meets her grandmother’s younger self. She also discovers fascinating drawings of a young man named Yuito Aoi. The moment Hitomi lays eyes on his work, colors flood back into view. But why do his drawings have this effect on Hitomi, and for what purpose has her grandmother sent her so far back in time? As Hitomi’s feelings for Yuito grow, she finds herself poised on the cusp of personal transformation, color and magic returning as she blossoms into the young woman she’s meant to be. (Source: Sentai Filmworks)

Episodes

13
1. Episode 1
24m · Prime Video
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2. Episode 2
24m · Prime Video
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3. Episode 3
24m · Prime Video
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4. Episode 4
24m · Prime Video
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5. Episode 5
24m · Prime Video
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6. Episode 6
24m · Prime Video
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7. Episode 7
24m · Prime Video
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8. Episode 8
24m · Prime Video
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9. Episode 9
24m · Prime Video
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10. Episode 10
24m · Prime Video
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11. Episode 11
24m · Prime Video
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12. Episode 12
24m · Prime Video
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13. Episode 13
24m · Prime Video
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How watching this pays the artists

Every time you watch IRODUKU: The World in Colors on a legitimate streaming service, a portion of that revenue flows back to P.A.WORKS, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.

Where the money actually goes

Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.

Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.

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IRODUKU: The World in Colors · torinagi