
Dragon Ball Z
ドラゴンボールZ
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Goku is back with his new son, Gohan, but just when things are getting settled down, the adventures continue. Whether he is facing enemies such as Freeza, Cell, or Boo, Goku is proven to be an elite of his own and discovers his race, Saiyan. He meets many new people, gaining allies as well as enemies, as he still finds time to raise a family and be the happy-go-lucky Saiyan he is. (Source: Anime News Network)
Also in this franchise
Side story· 23
Side storyDragon Ball Z: Dead Zone1989
Side storyDragon Ball Z: The World's Strongest1990
Side storyDragon Ball Z: The Tree of Might1990
Side storyDragon Ball Z: Lord Slug1991
Side storyDragon Ball Z: Cooler's Revenge1991
Side storyDragon Ball Z: The Return of Cooler1992
Side storyDragon Ball Z: Super Android 13!1992
Side storyDragon Ball Z: Broly - The Legendary Super Saiyan1993
Side storyDragon Ball Z: Bojack Unbound1993
Side storyDragon Ball Z: Broly - Second Coming1994
Side storyDragon Ball Z: Bio-Broly1994
Side storyDragon Ball Z: Fusion Reborn1995
Side storyDragon Ball Z: Wrath of the Dragon1995
Side storyDragon Ball Z: Plan to Eradicate the Saiyans1993
Side storyDragon Ball Z: The History of Trunks1993
Side storyDragon Ball: Yo! Son Goku and His Friends Return!!2008
Side storyDragon Ball Z: Atsumare! Goku's World
Side storyDragon Ball: Episode of Bardock2011
Side storyDragon Ball Z: Battle of Gods2013
Side storyDragon Ball Z: Resurrection 'F'2015
Side storyDragon Ball Z: The Real 4-D2016
Side storyDragon Ball: Plan to Eradicate the Super Saiyans2010
Side storyDragon Ball Z: Bardock – The Father of Goku1990Episodes
291How watching this pays the artists
Every time you watch Dragon Ball Z on a legitimate streaming service, a portion of that revenue flows back to Toei Animation, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.
Where the money actually goes
Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.
Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.
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