Date A Bullet: Dead or Bullet & Nightmare or Queen
Finished · 1 epGEEKTOYS · 2020 · Japan

Date A Bullet: Dead or Bullet & Nightmare or Queen

デート・ア・バレット デッド・オア・バレット

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The first part of Date A Bullet. Hibiki Higoromo, better known as, Empty, is an amnesiac young girl. She wakes up in the neighboring world, where she encounters Tokisaki Kurumi. In order to kill the mysterious girl, Kurumi leads Empty to a school. When arriving at the school, a number of girls, known as semi-spirits, gather together. Now then, a new battle begins. (Source: Wikipedia)

Also in this franchise

More seasons

Date A Live IIIPrequel · TV · 2019
Date A Bullet: Dead or Bullet & Nightmare or QueenCurrent · Movie · 2020
Date A Bullet: Dead or Bullet & Nightmare or QueenSequel · Movie · 2020

Episodes

12
12. Episode 12 - And The One She Chooses Is
25m · Crunchyroll
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11. Episode 11 - A Fleeting Paradise
25m · Crunchyroll
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10. Episode 10 - A Battlefield That Shouldn't Be Possible
25m · Crunchyroll
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9. Episode 9 - A "Second" Date
25m · Crunchyroll
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8. Episode 8 - The One Who Pulled the Trigger
25m · Crunchyroll
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7. Episode 7 - The World Tree Sheds Leaves
25m · Crunchyroll
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6. Episode 6 - The Three Magi
25m · Crunchyroll
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5. Episode 5 - Mother Mio
25m · Crunchyroll
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4. Episode 4 - The Spirit of Origin
25m · Crunchyroll
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3. Episode 3 - The Spirit's Resurrection
25m · Crunchyroll
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2. Episode 2 - Final Respite
25m · Crunchyroll
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1. Episode 1 - Beginnings of War
25m · Crunchyroll
Watch

How watching this pays the artists

Every time you watch Date A Bullet: Dead or Bullet & Nightmare or Queen on a legitimate streaming service, a portion of that revenue flows back to GEEKTOYS, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.

Where the money actually goes

Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.

Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.

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