Daily Lives of High School Boys
Finished · 12 epSunrise · 2012 · Japan

Daily Lives of High School Boys

男子高校生の日常

8.0/ 10 · 186,709
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Tadakuni, Hidenori, and Yoshitake are students at the all-boys academy, Sanada North High School. This is a tale about just that—their daily lives as students. Winning the basketball tournament? Finding true love? You won't find any of that here. Whether it's sparking random arguments while hanging out with friends, meeting that one weird co-worker at a part-time job, or even letting imaginations run wild on a windy afternoon, we've all experienced the show's ordinary but true-to-life themes at one point or another. (Source: NIS America)

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Episodes

12
1. Episode 1 - Daily Lives of High School Boys
24m · Crunchyroll
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2. Episode 2 - High School Boys and Setting Out on a Quest etc
24m · Crunchyroll
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3. Episode 3 - High School Boys and Summer Memories etc
24m · Crunchyroll
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4. Episode 4 - High School Boys and the School Festival etc
24m · Crunchyroll
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5. Episode 5 - High School Boys and the Tale of a Great Man etc
24m · Crunchyroll
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6. Episode 6 - High School Boys and O Holy Nights etc
24m · Crunchyroll
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7. Episode 7 - High School Boys and Indoor Adventures etc
24m · Crunchyroll
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8. Episode 8 - High School Boys and Comics etc
24m · Crunchyroll
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9. Episode 9 - High School Boys and Drop Kicks etc
24m · Crunchyroll
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10. Episode 10 - High School Boys and Bicycles etc
24m · Crunchyroll
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11. Episode 11 - High School Boys and Fathers etc
24m · Crunchyroll
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12. Episode 12 - High School Boys and... etc
24m · Crunchyroll
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How watching this pays the artists

Every time you watch Daily Lives of High School Boys on a legitimate streaming service, a portion of that revenue flows back to Sunrise, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.

Where the money actually goes

Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.

Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.

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