Cop Craft
Finished · 12 epMillepensee · 2019 · Japan

Cop Craft

コップクラフト

6.4/ 10 · 37,872

Available on

Hulu· Sub · HDPrime Video· Sub · HDYouTube· Sub · HDCrunchyroll· Sub · HD

The story is set in San Teresa City on the fictional Pacific island of Kariaena. The "buddy police action" series follows the detective Kei Matoba and the alternate-world knight Tirana. 15 years ago, an unknown hyperspace gate opened over the Pacific. Beyond this gate lies Reto Semaani, a strange alternate world where fairies and demons live. San Teresa City — a city where over two million immigrants live from both worlds. As a result, there are the haves and the have-nots. Here is the world's newest "city of dreams." But in the shadow of the chaos, crime is rampant: drugs, prostitution, and weapon trafficking. The detectives who stand up to these heinous crimes are in the San Teresa City Police. When the detective Kei Matoba and the alternate-world knight Tirana — two individuals who differ in gender, personality, and even world of origin — meet, an incident erupts. Two worlds. Two justices. From this, the curtain rises on a buddy police action story! (Source: Anime News Network)

Episodes

12
1. Episode 1 - COP SHOW, WITCH CRAFT
24m · Crunchyroll
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2. Episode 2 - DRAGNET MIRAGE
24m · Crunchyroll
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3. Episode 3 - MIDNIGHT TRAIN
24m · Crunchyroll
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4. Episode 4 - IN THE AIR TONIGHT
24m · Crunchyroll
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5. Episode 5 - LONESOME VAMPIRE
24m · Crunchyroll
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6. Episode 6 - NEED FOR SPEED
24m · Crunchyroll
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7. Episode 7 - GIRLS ON ICE
24m · Crunchyroll
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8. Episode 8 - SMELLS LIKE TOON SPIRITS
24m · Crunchyroll
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9. Episode 9 - A KING MAKER
24m · Crunchyroll
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10. Episode 10 - COCK ROBIN, JOHN DOE
24m · Crunchyroll
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11. Episode 11 - TRANSITIONAL CRISES
24m · Crunchyroll
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12. Episode 12 - TWO WORLDS, TWO JUSTICES
24m · Crunchyroll
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How watching this pays the artists

Every time you watch Cop Craft on a legitimate streaming service, a portion of that revenue flows back to Millepensee, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.

Where the money actually goes

Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.

Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.

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