In Another World With My Smartphone
異世界はスマートフォンとともに。
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After a freak accident involving some lightning winds up zapping him dead, 15-year-old Mochizuki Touya wakes up to find himself face-to-face with God. “I am afraid to say that I have made a bit of a blunder...” laments the old coot. But all is not lost! God says that he can reincarnate Touya into a world of fantasy, and as a bonus, he gets to bring his smartphone along with! So begins Touya's adventure in a new, anachronistic pseudo-medieval world. Friends! Laughs! Tears! Inexplicable Deus ex Machina! He sets off on a journey full of wonder as he absentmindedly travels from place to place, following whatever goal catches his fancy. The curtains lift on an epic tale of swords, sorcery, and smartphone apps! (Source: J-Novel Club)
More seasons
In Another World With My SmartphoneCurrent · TV · 2017
In Another World With My Smartphone 2Sequel · TV · 2023Episodes
12
How watching this pays the artists
Every time you watch In Another World With My Smartphone on a legitimate streaming service, a portion of that revenue flows back to Ashi Productions, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.
Where the money actually goes
Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.
Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.
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