EAT-MAN
Finished · 12 epBandai Visual · 1997 · Japan

EAT-MAN

EAT-MAN

6.0/ 10 · 4,168

Available on

Prime Video· Sub · HDCrunchyroll· Sub · HD

Bolt Crank is an "explorer"--a mercenary who only accepts jobs that fits his moral standards. Even so, explorers like him are rarely trusted, and employment--both in getting and also doing the job--is hazardous. However, despite the fact Bolt says it's the only job he's any good at, he's also the best explorer around. Moreover, he has a unique ability. He's able to eat anything at all, and later can reproduce it wholly intact and functional! As an enigmatic man of few words, it's hard to understand someone who can do something so strange, whose only skill involves taking dangerous jobs for money, and who despite it all, just wants to be normal. In a mysterious world of advanced technology and weird science, it seems that some things never change. (Source: Discotek)

Also in this franchise

Episodes

12
1. Episode 1 - Glass Walls
24m · Crunchyroll
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2. Episode 2 - We who are about to die…
24m · Crunchyroll
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3. Episode 3 - Room of Promises
24m · Crunchyroll
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4. Episode 4 - Professional Courtesy
24m · Crunchyroll
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5. Episode 5 - After the Rain
24m · Crunchyroll
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6. Episode 6 - The Gene Window
24m · Crunchyroll
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7. Episode 7 - The Cemetery of Temptation
24m · Crunchyroll
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8. Episode 8 - Silence of the Ice Pillar
24m · Crunchyroll
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9. Episode 9 - The High, Lonely Sky
24m · Crunchyroll
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10. Episode 10 - Fragments of a Dream
24m · Crunchyroll
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11. Episode 11 - Paradise
24m · Crunchyroll
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12. Episode 12 - Endless Tomorrows
24m · Crunchyroll
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How watching this pays the artists

Every time you watch EAT-MAN on a legitimate streaming service, a portion of that revenue flows back to Studio DEEN, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.

Where the money actually goes

Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.

Piracy doesn’t reduce streaming-service revenue evenly — it removes the underlying viewership that justifies future licensing investment. Less licensing investment means smaller studio budgets, lower pay for animators, and fewer shows greenlit.

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