Lucifer and the Biscuit Hammer
Finished · 24 epNAZ · 2022 · Japan

Lucifer and the Biscuit Hammer

惑星のさみだれ

5.0/ 10 · 22,000
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One day, unremarkable college student Yuuhi Amamiya meets a talking lizard who asks for his help saving Earth from a crisis. Before he can refuse, Yuuhi is turned into a member of the Beast Knights and given a ring that gives him the psychic power “domain control.” He is then immediately attacked by an enemy! But just as all seems lost, he’s saved by the girl next door, Samidare. But it turns out Samidare isn’t really a savior of any kind… she’s actually a demon lord who wants to conquer Earth! Drawn to her absurd strength and evil charms, Yuuhi becomes her devoted servant and acts to support her wicked schemes. (Source: Crunchyroll)

Episodes

24
1. Episode 1
24m · Crunchyroll
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2. Episode 2
24m · Crunchyroll
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3. Episode 3
24m · Crunchyroll
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4. Episode 4
24m · Crunchyroll
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5. Episode 5
24m · Crunchyroll
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6. Episode 6
24m · Crunchyroll
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7. Episode 7
24m · Crunchyroll
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8. Episode 8
24m · Crunchyroll
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9. Episode 9
24m · Crunchyroll
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10. Episode 10
24m · Crunchyroll
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11. Episode 11
24m · Crunchyroll
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12. Episode 12
24m · Crunchyroll
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13. Episode 13
24m · Crunchyroll
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14. Episode 14
24m · Crunchyroll
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15. Episode 15
24m · Crunchyroll
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16. Episode 16
24m · Crunchyroll
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17. Episode 17
24m · Crunchyroll
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18. Episode 18
24m · Crunchyroll
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19. Episode 19
24m · Crunchyroll
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20. Episode 20
24m · Crunchyroll
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21. Episode 21
24m · Crunchyroll
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22. Episode 22
24m · Crunchyroll
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23. Episode 23
24m · Crunchyroll
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24. Episode 24
24m · Crunchyroll
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How watching this pays the artists

Every time you watch Lucifer and the Biscuit Hammer on a legitimate streaming service, a portion of that revenue flows back to NAZ, the voice actors, the composer, and the animators who made it. Subscribing or watching on an ad-supported tier is how the work continues.

Where the money actually goes

Streaming services pay licensing fees to the production committee that financed the show. That committee distributes revenue to the studio, the publisher of the source material, the music label, and the broadcasters who originally aired it. The animators themselves are typically employed or contracted by the studio; their pay comes from the studio’s share of these licensing dollars.

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